The Truth of Extinction; Enlightenment and Extinction, Conclusion

Kaput

Freud's concept of the death-drive found in Beyond the Pleasure Principle can be said to have a philosophical analogy in the concept of the "will to know." This death-drive that we elaborated on with the help of Brassier in the last post showed us the curious nature of the human being that mentally repeats it's traumatic events in order to muster the anxiety required to buffer the shock of any future traumatic event. While Freud's reasoning in Beyond the Pleasure Principle made this phenomena less curious, it still seemed strange for any organism to constantly relive a state of anxiety regardless of any possible shock that may occur in the future (notice how futural time here plays the pivotal role in creating anxiety. It's here where Heidegger as a psycho-theorist works best rather than a philosophical critic that makes claims like "science does not think" for example). Beyond the patient, the philosopher can be said to reappropriate the death-drive in their incessant drive to know. From this, we can understand that the will to know is a drive to death. We will come to understand this in the conclusion of Enlightenment and Extinction. This is important because Brassier isn't grounding the enlightenment of extinction simply on the solar catastrophe he refers to in Lyotard's account of the suns incineration, but on the mental phenomena of the repetition of trauma, and it's philosophical analog in the drive to know. In this sense, I think it would be erroneous to classify him simply as a "nominalist." He has engaged in the theoretical constructs of Dasein rigorously while also engaging in the scientific-material conditions of the universe. This engagement is rigorously sincere to me. This sincerity will lead us to faithfully understand Enlightenment and Extinction. Lets then try to understand as faithfully as possible the analog of the death-drive in the will to know. Much beyond the responsibility to the author is an opportunity for discovery. The only thing holding one back from taking this opportunity is the fear of extinction.

"...it is precisely the extinction of meaning that clears the way for the intelligibility of extinction. Senselessness and purposelessness are not merely privative; they represent a gain in intelligibility. The cancellation of sense, purpose, and possibility marks the point at which the 'horror' concomitant with the impossibility of either being or not-being become intelligible. Thus, if everything is dead already, this is not only because extinction disables those possibilities which were taken to be constitutive of life and existence, but also because the will to know is driven by the traumatic reality of extinction, and strives to become equal to the trauma of the in-itself whose trace it bears." This explanation of the lack of purpose for being is at a distance from the commonly understood classical existentialism. One isn't simply "left with nothing" because extinction is absolute. On the other hand, one is precisely "left with nothing" because of extinction. The import for Brassier is not to take on a state of consternation, or apathy because of this extinction (notice the taking on which I hope to distinguish from an enlightenment of extinction where nothing personally is being taken on) . Being "left with nothing" need not be existentially symbolized. This existential symbolization is certainly a possibility but one that is relative to symbolic being. Instead, this "gain in intelligibility" that occurs with the enlightenment of extinction does not have to be understood as an affirmation of being's existence, nor an ethical impulse for political freedom. Simply put, the enlightenment can occur completely independent of the subject that it happens to. The concept of "horror" is specifically quoted by Brassier in order to reapporpraite what was once understood as horror into a non-existential connotation. What was at once horrific is now simply understood (thereby losing its "horrific" element). This move past the ontology of being towards a "pure" epistemology loses it's horrific element then. Horror happens to the ontologically invested. Again, this is one possibility; the possibility of an epistemological ontology. Extinction then disables what we can understand as "vital ontology." What was once to be taken as constitutive of life (Aristotelian: growth, or Heideggerian: temporal dying, for example) is now understood through the enlightenment of extinction. We understood this in the last post through Freud's discovery of the death-drive and Brassier's appropriation of the death-drive in cosmological repetition. This enlightenment of extinction is specifically epistemological though, meaning a matter of knowledge. In this sense, it wouldn't be inaccurate to see Brassier as an idealist because of his thinking that thought can come to understand extinction. This idealism is simply not ontologically invested. This thinking, this will to know is always a reduction. Every attempt to know is an attempt to "get at the bottom of things," and when it appears that there is ostensibly nothing more to discover, this sense of "horror" (existentially understood) finds that the will to know was a will to get at nothing. The act of incessant reduction simply discovers itself as an operation of incessant reduction to discover nothing. This nothing is specifically understood philosophically as the "in itself." The will to nothing forms a trace of the "in itself" that's nothing other than its own drive. The philosophically understood "in itself" then is the trace of nothing as the recognition of its own drive to know. But this "in itself" need not be understood philosophically, meaning unitarily in order to establish a "sufficient philosophy." The will to know can simply borrow verbiage from philosophy and use it tyrannically. It would be tyrannical in the sense that it need not feel the compulsion to reference the historical inception of the concept. In this sense, the "in itself" understood non-philosophically could be called historically irresponsible from the philosophical perspective. It's here where the "pure" epistemological break with ontology simply doesn't recognize the classical gestures of philosophy, philosophical gestures that we can say are historically ethical. The use of a concept without reference to its historical inception is closer to what is called "the real," because an expression happens without the ethical responsibility towards history. In this sense, what is called "the real" happens every time something is stated without reference to context or pretext (It's with this in mind that it's not so odd to see how ethical of a thinker Derrida was, broadly speaking). The trace then of the "in itself" is not an ethical drive, but a tyrannical drive to know itself as its own drive. In the drive to know nothing ("in itself"), concepts are used and disregarded at will.

"In becoming equal to it, philosophy achieves a binding of extinction, through which the will to know is finally rendered commensurate with the in-itself. This binding coincides with the objectification of thinking understood as the adequation without correspondence between the objective reality of extinction and the subjective knowledge of the trauma to which it gives rise. It is this adequation that constitutes the truth of extinction. But to acknowledge this truth, the subject of philosophy must also recognize that he or she is already dead, and that philosophy is neither a medium of affirmation nor a source of justification, but rather the organon of extinction." The death-drive as the will to know for Brassier becomes equal to what is understood as the "in-itself." When seeking something called the "in-itself" what is found is the will to know. This understanding of the will to know is without end because it seeks nothing. It seeks nothing in the sense that it incessant reduces "substances," and in doing so finds something that is epistemically nothing. Thinking then is understood as the "reality of extinction," and the "subjective knowledge of trauma" experienced by a subject without any correspondence between "reality," and "subjectivity;" in other words, without causality between "reality" and "subjectivity." The will to know resembles extinction, and is experienced traumatically by the subject. There is no experience of extinction, and there is an experience of trauma. Subjective trauma and the reality of extinction are absolutely different, but thinking is understood by both concepts. When one acknowledges this truth, one must acknowledge that their thinking is a trace of nothing. In this sense, one is passively in death. In the act of knowing, one is already dead, because the drive to know is knowing nothing. Death is the knowing of the nothing that already happens. If philosophy is the will to know, it's not the static affirmation of something, nor the justification a subjective trauma it may experience. It's the "organon of extinction." We can say that it's "death as text," or "the textual form of death." What we learn here is that while death may have different forms, this has nothing to do with the absolute reality of extinction, not only on physical-material grounds, but on the grounds of what is called "subjectivity." What is called "subjectivity" is not alive but always dead. Because nothing takes on a different form, in this case of what's called "subjectivity," doesn't mean that it's not driven towards its own extinction. What we can say then is that there are different forms in which death always happens, none of which are alive if they are always grounded in death. Death has different ways of happening and repeating itself. It's these different ways of happening and repeating itself that are open to speculation. The question is: how are different forms always dying? Every question put forth to philosophy then is always a will to know nothing. This text of the drive to know nothing is philosophy. Within nothing, discoveries are always made with no end in sight. These discoveries with no end in sight don't have to take on the possibility of "existential conundrums," and/or "political consequences" for example. If the will to know is always the will to know nothing, then there are no "existential conundrums" because there is no meaning to be desired in the will to know. But what if a form of nothing doesn't follow its own drive? If Dasein as a form of nothing stops driving to know, then what is happening? How is it? How does a form stop its extinctive drive. It's crucial to allow these questions to happen without any pejorative adjectives in its questions. If one is faithful towards their own drive, there will be no room for the personality that would allow for the pejorative disposition. In other words, the death-drive is without ideology. As a preliminary question, it can be asked: "How does control happen to the extinctive drive?" How does the drive break? Maybe more pointedly, does the drive take a break, and if so, how does it take a break.

Introduction to Nihil Unbound: Enlightenment and Extinction

These captions under pictures are getting really boring.

At the end of D&G's Anti-Oedipus, we learn about the idea of "rupturing causality." We see causality manifesting itself from an interested party (an interested personality). "So this then that" is the semantical operation of being. Something happens, therefore it means this. In the last post I discussed wanting to move into the anti-correlationist theory of speculative realism to get a deeper understanding of this possibility of obviating causality. The first text to take on regarding this possibility is Ray Brassier's Nihil Unbound: Enlightenment and Extinction. While this is the first text we will take on, Ray Brassier doesn't start this anti-correlationist thought. If it finds its "historical place," it's in a discussion between Francios Laruelle and Derrida in 1988 (This discussion can be read here: http://blog.urbanomic.com/dread/archives/laruelle-derrida.pdf). This discussion I will want to do a close read on in at least 2 parts after the analysis of Enlightenment and Extinction. The reason for choosing Enlightenment and Extinction first is from an instinct of it being a good general overview of the basics of speculative realism. As it was published in 2007, it's relatively recent. It will be the first text I do a close analysis of from an author who isn't dead yet. This is also exciting. How many times does one read an author and think to themselves, "man, I wish they were still alive to see what they think today?" In this sense, the reading of the history of philosophy is a constant catching up to writers who aren't dead yet. You will be able to address them while they're alive and you have the basic grounds of western conceptual thought under your belt to understand the concepts and verbiage from their text (if one has done somewhat of a detailed reading of western philosophy). For better or worse, without historical perspective, neither I, nor Brassier can refer to the proper name of "Hegel" without a reading of "Hegel." I say "for better or worse" because the impulse to obviate the historical perspective from experience in speculative realism is so obvious that a mere skimming over the basic texts scream this at you. This impulse of course is not new and doesn't become vogue with the "officiality" of speculative realism. The critique of the historical perspective defining experience comes in its "formal form" as early as Lyotard's The Postmodern Condition as far as the 20th century is concerned. This will be a topic to be addressed throughout our acquaintance with speculative realism; the usage of the historical perspective when trying to become a non-historical perspective. It's this idea that the Derrida-Laruelle discussion illuminates very well. With Ray Brassier though, we hope to gain a general overview of speculative realism in order to go deeper into its other authors and other works by Brassier himself. This post then will be a very basic introduction to what Enlightenment and Extinction is trying to explain. When we get further and deeper into the text we will uncover the substance behind the preface and the introduction (as always with a book of this conceptual magnitude). We will see from the beginning that Brassier is not simply speaking on behalf of anti-correlationsism, but nihilism. The connection between the two will become obvious through the reading of this text. To start off though, lets try to understand the basics of the title of the text and let Brassier speak for himself.

Firstly, lets take a close look at the title of this book. Nihil Unbound: Enlightenment and Extinction. Nihil is latin for "nothing." "Unbound" is not being bound. From this we can understand Nihil Unbound conceptually as a nothingness that is not bound. We gain the sense that the nothingness being conveyed by Brassier is not going to have a meaning. It's not going to be bound by meaning. Its nothingness is boundless. Enlightenment and Extinction. Enlightenment is reason's understanding of an experience that happened previous to "itself." One becomes enlightened when a thought comes to one's head. Classically understood, enlightenment happens from a realization from a past experience. This realization gives meaning to "something that happened." The meaning is an extra of something that always happens. Enlightenment in this title is connected to Extinction. Extinction of course is death and an end. We can infer from this part of the title that there is something combining realization and death. When we realize something, we die. The amount of ways of reading this is too vast to try to elaborate on now. This will speak for itself throughout the text. For now though, we have a nothingness that is not bound that is tied to a realization that brings about death. At the very least, we can infer that when one realizes themselves, they are supposed to die into a nothingness that has no meaning a contrario to the Hegelian supposition of the nothing that is still something. At the very least we can infer that man (being) sees himself in a relationship to something outside of himself and defines himself as such, rather than understanding the fact that what is outside of itself is not a matter of understanding. Whether these characterizations of inference will be brought out through this text remains to be seen. A general guess at the title is a good start to throwing oneself into the text though. Now that we have taken our guesses at the text, lets let Brassier speak for himself from the very beginning. "This term 'nihilism' has a hackneyed quality. Too much has been written on the topic , and any sense of urgency that the word might once has communicated has been dulled by overexposure. The result is a vocable tainted by dreary over-familiarity and nebulous indeterminacy. Nevertheless, few other topics of philosophical debate exert such an immediate grip on people with little or no interest in the problems of philosophy as the claim of nihilism in its most 'naive' acceptation: existence is worthless." From this we understand that Brassier takes nihilism seriously. Anybody who is passionate about anything in experience will be frustrated by the over-popularization of what's considered an important concept by that thinker. Brassier sees no sense of urgency in the term. He sees no one having a grasp of nihilism beyond its hackneyed connotation of "existence is worthless." Brassier asks us not to jump out of our seats at this hackneyed meaning. Brassier's compulsion is to take nihilism seriously as an opportunity, not as a system of personal identification which would be its absolute worst function and form. He admits this to himself at the beginning of of Enlightenment and Extinction. "This book was spurred by the conviction that this apparently banal assertion harbors hidden depths which have yet to be sounded by philosophers..." For Brassier, there are hidden depths beyond nihilism's popularized connotations of "existence is meaningless." These depths we will explore through this text. To start off, it would be good to say what nihilism is not. This negative impulse will serve us in understanding its affirmative and opportunistic function. "First and foremost, it does not treat nihilism as a disease, requiring diagnosis and the recommendation of an antidote. But neither does it extol the pathos of finitude as a bulwark against metaphysical hubris..." At the very least, the concept of nihilism is not to be understood as a problem. This nihilistic concept is an explanation and an opportunity, not a psychological disease that needs to be "cured." On the other hand, this concept is not to be understood as a social call to experiential relativism regardless of how much the latter may be observed in the concept when it's fleshed out. There's a sense that Brassier is aiming at general Heideggerianism when he sees nihilism not as something to be understood in terms of privileging finitude against classical metaphysics. We can sense that finitude becomes a transcendental concept for Brassier and hence lacks the substance of nihilism's "quality" by this transcendence, regardless of how secular the concept of "finitude" may be. A transcendental concept need not be simply religious to give the thinker a sense of well-being. Giving myself the luxury of generalization, I would say that right now (culturally speaking) is a heightened time of situating secularized idols, whether this be passive pantheism (E.G. tarot cards) or hyper-aware environmentalism. As we learn from Nietzsche, the Christian God can be dead while God(s) still remain (literally, Nietzsche's impulse to call his text Twilight of the Idols). Brassier wants to warn the reader from nostalagizing finitude in hopes of curtailing the self-satisfied nature that being in general takes. It's this self-satisfied quality to being that will make being not understand the depths of nihilism, and instead where shirts with skulls on the front as a grand finale to ones identity finding. As was stated above, this would be the opposite of nihilism's impulse, and really any thinking that could be called philosophical. In general, the protection of a concept from a stabilized identity is a conspicuous philosophical gesture. This loyalty is large with Brassier's desire of understanding nihilism. Nihilism is neither a problem nor a solution. Death as God is not a solution when there's no problem to begin with. Instead of seeing nihilism as a problem or a transcendental solution, Brassier sees nihilism as "an achievement of intellectual maturity." As we watch the Twilight of the Idols, we are growing up. Also, what nihilism is not, is "a pathological exacerbation of subjectivism, which annuls the world and reduces reality to a correlate of the absolute ego, but on the contrary is the unavoidable corollary of the realist conviction that there is a mind-independent reality, which, despite the presumptions of human narcissism, is indifferent to our existence and oblivious to the 'values' and 'meanings' which we would drape over it in order to make it more hospitable. Nature is not our or anyone's 'home,' nor a particularly beneficent progenitor. Philosophers would do well to desist from issuing any further injunctions about the need to re-establish the meaningfulness of existence, the purposefulness of life, or mend the shattered concord between man and nature. Philosophy should be more than a sop to the pathetic twinge of human self-esteem." I let Brassier speak here beyond the point I wanted to intend to give the reader a more direct gateway to Brassier's impulse. Certainly, seeing the possibility of Philosophy as a "pathetic twinge of human self-esteem" speaks loudly. Much like Husserl, Brassier sees Philosophy as a mature opportunity for being, not a subjective identification of topical "meaningfulness." If the mind tells us anything for the realist, it's that this mind-reality happens regardless of our presupposition of "human freedom." The mind happens regardless of what we think of as "valuable" and "meaningful" which for Brassier are expressions to make what we call "nature" more hospitable. It will be interesting to understand how Brassier explains this phenomena of the "belief in human freedom." It will be interesting to see how Brassier explains "belief" in general. But to our point, the mind independent reality for the realist is a mind that happens without the figurative explanations of language. With this in mind, we can understand Brassier as relying on cognitive science and "hard science." If the "hard science" of the mind should rely on metaphors itself, it will be closer to the realist conception that offers no end to its investigations. Scientific metaphor will be more faithful to philosophical inquiry than freedom speak, so to speak. With a closer look at the scientific nature of "Nature," we will see that "Nature" is not our home nor a particularly beneficent progenitor. "Nature" is not here to help us out. "Nature" can certainly harm us and this can be seen not only in natural disasters but more specific and interesting examples like the self-cannibalism of leaf-insects which Brassier goes into later in the text. It's with this in mind that Philosophy should not provide itself an end and meaning ahead of time in its investigations if its to be a rigorous science that acts "despite the presumptions of human narcissism." Again, it will be interesting to understand the nihilistic-realist understanding of the "presumptions of human narcissism" that Brassier realizes exists.

For Brassier, "nihilism is not an existential quandary but a speculative opportunity." "Thinking has interests that do not coincide with those of living; indeed, they can and have been pitted against the latter." It's with this in mind that as readers we need to be thinkers first and foremost rather than "living beings" with this text if we are to read it faithfully. We can't see nihilism as a "problem" that needs to be solved, and even a "problem that can't be solved" as we eternally sulk in despair at the obvious connotation belonging to nihilism. We are to take the concept of nihilism as something much deeper than "happy being sad." It is neither an existential problem nor a psychological problem which basically mean the same things. We have an intellectual opportunity to see things exactly how they are without seeing them "as is," and "for us." This thinking will not know whether it coincides with the benefit of man. It will not know whether it coincides with anything. This thinking starts very much in the same place as the phenomenological epoch but flows into different places than phenomenology, mainly I think because Brassier's nihilism has the luxury of technology on his side (cognitive and ethological technology and discovery). To Brassier's credit though, he has no problem not having a problem with technology. He takes Adorno and Horkheimer to task for nostalogizing a pre-industrial world much like he took Heideggerian finitude to task for nostalogizing a secularized idol of death which we spoke on above. It will be important to understand Brassier's criticism of Adorno and Horkheimer coming up in this text to fully grasp the realist attitude in not mythologizing anything. As readers of D&G's Anti-Oedipus we already have a strong start to de-mythologizing existence. We hope that Brassier will take us further. His criticism of Adorno and Horheimer's purist proclivities will show Brassier as someone faithful to realism. At this very preliminary stage, we can understand Brassier as someone not only faithful to realism and nihilism, but to the task of Philosophy itself.